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Opera
FRANZ LEHáR, DIE LUSTIGE WITWE (THE MERRY WIDOW)
Venice: La Fenice Opera House
Conductor: Stefano Montanari
Director: Damiano Michieletto
Sets: Paolo Fantin
Costumes: Carla Teti
Light designer: Alessandro Carletti
Choreography: Chiara Vecchi
Running time: 2h20'
first part: 0h40'
interval: 0h25'
second part: 1h15'
Dates and times
Day
Date
Time
Description
Sale
ven
2018-02-02
19:00
---
Not available
dom
2018-02-04
15:30
---
Not available
gio
2018-02-08
19:00
---
Not available
sab
2018-02-10
15:30
---
Not available
mar
2018-02-13
19:00
---
Not available
Thursday 8 February, 2018, at 7pm
broadcast live on
World Concert Hall
cast
Hanna Glawari ⎮ Nadja Mchantaf
Danilo Danilowitsch ⎮ Christoph Pohl
Valencienne ⎮ Adriana Ferfecka
Kromow ⎮ Willam Corrò
Mirko Zeta ⎮ Franz Hawlata
Cascada ⎮ Simon Schnorr
Camille de Rossillon ⎮ Konstantin Lee
Raoul de St-Brioche ⎮ Marcello Nardis
Bogdanowitsch ⎮ Roberto Maietta
Sylviane ⎮ Martina Bortolotti
Olga ⎮ Zdislava Bočková
Pritschitsch ⎮ Nicola Ziccardi
Praskowia ⎮ Daniela Baňasová
Niegus ⎮ Karl-Heinz Macek
Lolo ⎮ Alessandra Calamassi
Dodo ⎮ Mariateresa Notarangelo
Jou-Jou ⎮ Rossella Contu
Frou-Frou ⎮ Alessandra Gregori
Clo-Clo ⎮ Chiara Lucia Graziano
Margot ⎮ Krizia Picci
A lady
Francesca Poropat (2, 8, 13/2)
Simona Forni (4, 10/2)
Conductor ⎮ Stefano Montanari
Director ⎮ Damiano Michieletto
Sets ⎮ Paolo Fantin
Costumes | Carla Teti
Light designer | Alessandro Carletti
Choreography | Chiara Vecchi
La Fenice Choir & Orchestra
Chorus Master ⎮ Claudio Marino Moretti
La Fenice Opera House new production
with Fondazione Teatro dell’Opera di Roma
english surtitles
broadcast live on
World Concert Hall
cast
Hanna Glawari ⎮ Nadja Mchantaf
Danilo Danilowitsch ⎮ Christoph Pohl
Valencienne ⎮ Adriana Ferfecka
Kromow ⎮ Willam Corrò
Mirko Zeta ⎮ Franz Hawlata
Cascada ⎮ Simon Schnorr
Camille de Rossillon ⎮ Konstantin Lee
Raoul de St-Brioche ⎮ Marcello Nardis
Bogdanowitsch ⎮ Roberto Maietta
Sylviane ⎮ Martina Bortolotti
Olga ⎮ Zdislava Bočková
Pritschitsch ⎮ Nicola Ziccardi
Praskowia ⎮ Daniela Baňasová
Niegus ⎮ Karl-Heinz Macek
Lolo ⎮ Alessandra Calamassi
Dodo ⎮ Mariateresa Notarangelo
Jou-Jou ⎮ Rossella Contu
Frou-Frou ⎮ Alessandra Gregori
Clo-Clo ⎮ Chiara Lucia Graziano
Margot ⎮ Krizia Picci
A lady
Francesca Poropat (2, 8, 13/2)
Simona Forni (4, 10/2)
Conductor ⎮ Stefano Montanari
Director ⎮ Damiano Michieletto
Sets ⎮ Paolo Fantin
Costumes | Carla Teti
Light designer | Alessandro Carletti
Choreography | Chiara Vecchi
La Fenice Choir & Orchestra
Chorus Master ⎮ Claudio Marino Moretti
La Fenice Opera House new production
with Fondazione Teatro dell’Opera di Roma
english surtitles
An imaginary kingdom like Pontevedro re-evoked in a sparkling ville lumière where
the tragic-comic adventures of a series of characters that could come from our
upper-class news columns take place, and a millionaire widow is encouraged to
remarry owing to reasons of State while a young lady, as elegant as her name, tries
to conceal a dangerous flirt.
Die lustige Witwe blends the lightness and brilliance of the brushstrokes (a
combination of publicity and the figurative arts) that characterise the work of
Toulouse-Lautrec with the agitated, tormented lines of the women in Giovanni
Boldrini’s portraits. The result is a marvellous caricature of a society that lives off
bubbles.
An imaginary kingdom like Pontevedro re-evoked in a sparkling ville lumière where the tragic-comic adventures of a series of characters that could come from our upper-class news columns take place, and a millionaire widow is encouraged to remarry owing to reasons of State while a young lady, as elegant as her name, tries to conceal a dangerous flirt.
Die lustige Witwe blends the lightness and brilliance of the brushstrokes (a combination of publicity and the figurative arts) that characterise the work of Toulouse-Lautrec with the agitated, tormented lines of the women in Giovanni Boldini’s portraits. The result is a marvellous caricature of a society that lives off bubbles.
Die lustige Witwe blends the lightness and brilliance of the brushstrokes (a combination of publicity and the figurative arts) that characterise the work of Toulouse-Lautrec with the agitated, tormented lines of the women in Giovanni Boldini’s portraits. The result is a marvellous caricature of a society that lives off bubbles.