Events - Gioachino Rossini, Il barbiere di Siviglia | Teatro La Fenice

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GIOACHINO ROSSINI, IL BARBIERE DI SIVIGLIA



Venice: La Fenice Opera House

Conductors: Francesco Ivan Ciampa ⎮ Marco Paladin

Director: Bepi Morassi

Sets & Costumes: Lauro Crisman

Light designer: Vilmo Furian

Dates and times

Day

Date

Time

Description

Sale

sab

2019-08-24

19:00

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ven

2019-08-30

19:00

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gio

2019-09-05

19:00

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sab

2019-09-07

19:00

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mer

2019-09-11

19:00

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dom

2019-09-22

15:30

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mar

2019-09-24

19:00

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ven

2019-09-27

19:00

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dom

2019-09-29

15:30

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mar

2019-10-01

19:00

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ven

2019-10-04

19:00

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dom

2019-10-06

15:30

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mer

2019-10-09

19:00

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cast

Conte di Almaviva
Maxim Mironov (24,30/8 - 5,7,11,22,24/9 - 1,4,6,9/10)
Giorgio Misseri (27,29/9)

Bartolo Omar Montanari
Rosina Laura Polverelli
Figaro Julian Kim
Don Basilio Andrea Patucelli
Fiorello Matteo Ferrara
Berta Giovanna Donadini

Conductors
Francesco Ivan Ciampa
Marco Paladin (22,29/9)

Director Bepi Morassi
Sets & Costumes Lauro Crisman
light designer Vilmo Furian

La Fenice Orchestra & Choir
Chorus Master Claudio Marino Moretti
Harpsichord Master Roberta Ferrari

 
La Fenice Production

italian and english surtitles

 







Il barbiere di Siviglia remains the most popular of Rossini’s comic operas, providing a witty and lively score to accompany a series of incidents worthy of any farce. The first performance was unsuccessful as a result of objections made by supporters of Paisiello’s opera on the same subject.

The usual overture was that originally written for the opera Aureliano in Palmira , and the work includes some of the best known of all operatic elements in Figaro’s Largo al factotum and in Rosina’s Una voce poco fa (I heard a voice a little while ago), as well as the fulminations of Dr Bartolo and Don Basilio’s La calunnia (Slander), praise of a useful way to dispose of the Count. Other well known elements in the score include the Count’s first act serenade Ecco ridente in cielo (Lo, smiling in the heaven), while the music-lesson scene may include a coloratura aria, if Rosina is sung by a soprano, such as Alabyev’s Nightingale, an opportunity for vocal display