The Istrian composer Antonio Smareglia, born in Pula in 1854, occupies a unique position in many ways: a descendant of an Italian family, but a subject of the Imperial Royal Government of Vienna, he stands equidistant between Italian tradition and Central European influences. His choice of subjects and settings brings him closer to verismo, but his refined orchestration, which gives the instruments a predominant role, reflects Austro-German musical traditions. The choice of subjects and settings brings it closer to verismo, but its refined writing, which assigns a predominant role to the orchestra, looks to the Austro-German musical tradition. A formal refinement that we find in Nozze istriane – performed in Venice for the first time – an opera considered, as far as the subject matter is concerned, the Cavalleria rusticana of Central Europe.
La Fenice Orchestra & Choir
Conductor Francesco Cilluffo
Director Renato Bonajuto
Sets Carlo Centolavigna
La Fenice new staging